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Ōtairongo
Maree Sheehan, Artspace Aotearoa

Pushing at the boundaries of contemporary Māori art, Ōtairongo is a world-first exhibition by sound artist Maree Sheehan (Ngāti Maniapoto, Waikato, Ngāti Tuwharetoa, Raukawa, Ngāti Tahu-Ngāti Whāoa). In this solo show, Sheehan seeks to interpret and represent the identity of wāhine Māori through audio-portraiture, experienced within the realm of Hine Raukatauri. 


Using only sonic elements as her palette, each portrait captures the wairua and mauri of three mana wāhine Māori – Moana Maniapoto, Te Rita Papesch and Ramon Te Wake. More than a simple interview or storytelling, this installation uses immersive binaural sound-capture technologies to combine kōrero, waiata, the marae, whānau, and whenua to create a 360° sound experience. These works are presented in darkness, elevating aural perception and approaching a renegotiation of how wāhine Māori might be interpreted and represented. 

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Hine Raukatauri observed in nature. New Zealand Case Moth cocoon.
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Pūtōrino. A traditional Māori wind instrument. Taking its form from the case moth cocoon.
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Ōtairongo, early concept sketch.

Embodying the story of Hine Raukatauri


Because the artworks are purely sound-based, our approach was to create a visual portrait in response to the audio portraits. A contemporary take on Hine Raukatauri, the Māori goddess of flute music.


In nature, Hine Raukatauri is portrayed as the case moth and in traditional Māori crafts, her cocoon shape is reflected in the pūtōrino. When the pūtōrino is played, it is said to open a portal to the spirit world so we can hear the voice of Hine Raukatauri. 

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Weaving a cocoon of sound and light


The image is captured in a single long-exposure photograph: a wahine stands at the centre, spinning a series of LEDs to create a 360° performance that wraps the central wahine in a cocoon of light. The resulting image is a portrait that reflects the technical innovation of the show itself. 

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Early LED instrument prototypes.
Testing the LED instruments created for the photoshoot.
The process of creating Ōtairongo through long exposure light paintings.

Chance, performance and light


Hundreds of performative long exposures were captured exploring different ways to swing the LED instruments around the body. Over time, key expressions began to resonate with the team, and these movements were honed into the final long exposure performance. A process that allowed for chance to be channelled into the project through the human body.


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A small selection of thumbnails from the Ōtairongo shoot. Each long exposure an individual with its own distinct qualities.
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Building an online home for the audio portraits to offer solace and space during the pandemic


In response to the COVID-19 pandemic, we created an Ōtairongo online experience as an artistic offering in the uncertain times of lockdown, giving people the opportunity to listen and experience the audio portraits from home.


The website interactions are designed to be very subtle and calming, to ease the viewer into a comfortable state in order to soak up the seven minute long portraits. On landing, the mauri and wairua of the portrait is brought to life through a subtle canvas animation. The linear journey is designed to ease people into the artworks and simple text prompts help to guide the experience. The organic transition into the audio portraits is emphasised through the ambient canvas animations that accompany the audio. These animations echo the physical exhibition and help to immerse the viewer. Respect is given to the artworks while they are playing. All other content disappears and there are no playback controls, emphasis is placed on simply enjoying the audio portraits. 

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